Liquid Music

On Blue
Apichatpong Weerasethakul & Rafiq Bhatia
with Jamieson Webster

Presented by AIR Aspen
July 29–31, 2025
Aspen Art Museum

On Blue (2022) is a collaborative project between filmmaker Apichatpong Weerasethakul and composer Rafiq Bhatia. The film serves as a companion piece to Weerasethakul’s earlier film Blue (2018), in which actress Jenjira Pongpas Widner lies between states of sleep and wakefulness at night, surrounded by shifting backdrops from Thai folk theater. Produced by Liquid Music as part of Sun Dogs: Composer and Filmmaker Pairings and commissioned by the Cincinnati Symphony Orchestra and 2022 FotoFocus Biennial, On Blue features a new instrumental arrangement for the Aspen Contemporary Ensemble from the Aspen Music Festival and School. Inspired by “moments of awakening, of sunrise,” ambient sounds and orchestral textures complement the film’s serene pacing, evoking a sense of intimacy and transience between the physical and spiritual realms.

On Blue is followed by a workshop led by psychoanalyst Jamieson Webster in response to the film’s dream-like exploration of the unconscious mind, breath, and subjectivity.

About the artists

Apichatpong Weerasethakul is a Thai filmmaker and artist widely regarded for his poetic, surreal, and sensorial approach to storytelling. Drawing from Thai animism and Buddhism and deeply steeped in Thailand’s tumultuous politics, his films feature non-linear narratives melding spiritual and realist scenes into slow-paced, dreamlike atmospheres. His 2004 film Tropical Malady, awarded the Jury Prize at the Cannes Film Festival, depicts a romance between a soldier and a country boy in contemporary Thailand alongside a mythical fable of pursuit between a soldier and a tiger shaman. Weerasethakul was the first Thai artist to win the prestigious Palm d’Or at the Cannes Film Festival for his 2010 feature Uncle Boonmee Who Can Recall His Past Lives, an adaptation of a 1983 book by the Buddhist monk Phra Sripariyattiweti about a dying man who is visited by ghosts and spirits as he contemplates the last days of his life. In addition to his narrative films, Weerasethakul is recognized for videos and installations similarly traversing the real and the mythical in their exploration of memory, myth, and desire. His work has been exhibited at major art institutions such as the 58th Venice Biennale (2019); the Centre Pompidou, Paris (2024); and the Museum of Modern Art, New York (2021). 

Rafiq Bhatia is an American guitarist, producer, and Academy Award-nominated composer known for an innovative, sculptural approach to music that eludes genre classifications. Since 2014, Bhatia has been a member of the band Son Lux, whose highlights include scoring the Academy Award-winning film Everything Everywhere All At Once (2023) and collaborations with artists such as David Byrne, André Benjamin, and Mitski. Bhatia’s first LP for the label Anti- Records, Breaking English (2018), was widely acclaimed for its hybridization of electronic textures and intricate instrumental sound. His 2020 EP Standards Vol. 1—a collection of jazz standards reinterpreted through an electroacoustic lens—was used as the soundtrack for a dance work toured internationally by the Alvin Ailey American Dance Company. In 2025, Bhatia released the EP Each Dream, A Melting Door, in which his electronically stratified guitar combines with Chris Pattishall’s grand piano in abstract melodies that encourage deep listening. Bhatia has been commissioned as a composer by the Kronos Quartet and Walker Arts Center, among many others, and he has contributed to recordings on labels such as Brownswood and ECM. Bhatia is a Jerome Foundation Composer/Sound Artist Fellow, and lives and works in Brooklyn, New York.

Jamieson Webster is an American psychoanalyst, professor, and writer. Her interdisciplinary work combines psychoanalytic theory with philosophy, literature, film, and cultural criticism to consider questions of consciousness, reality, and identity. Webster’s first book, The Life and Death of Psychoanalysis (Karnac Books 2011) examines the legacy of psychoanalysis, including its perceived decline in popularity, and argues for its continued relevance in contemporary thinking around the human body and psyche. More recently, Webster authored Conversion Disorder: Listening to the Body in Psychoanalysis (Columbia University Press, 2018), which uses memoir, theoretical investigation, and clinical cases to trace the enigmatic transformation of psychic energy into bodily symptoms. Her newest book, On Breathing: Care in a Time of Catastrophe (Catapult, 2025), is a narrative nonfiction work about care and dependence in an age of environmental catastrophe. Webster teaches courses focused on the intersections of philosophy, gender and sexuality, and psychoanalytic theory at The New School for Social Research. She regularly contributes to publications such as Artforum, The New York Times, and The New York Review of Books. 

Apichatpong Weerasethakul and Rafiq Bhatia’s On Blue was originally commissioned by Liquid Music for the Cincinnati Symphony Orchestra and the 2022 FotoFocus Biennial. For AIR, the performance features a new instrumental arrangement for the Aspen Contemporary Ensemble. On Blue is co-presented by Aspen Art Museum and the Aspen Music Festival and School.

On Blue is curated by Vic Brooks, AIR Curator at Large, and Stella Bottai, Senior Curator at Large.